典藏的構作:表演藝術的保育、再現與詮釋(研討會論文集)
編者
陳國慧黎啟勁、楊寶霖
類別
出版日期
2026年4月
定價
HK$280
ISBN
9789887613886
聯合出版
國際表演藝術圖書館、博物館與資料館協會(SIBMAS)
顧問
Nic Leonhardt、Alan Jones、Juliette Caron
 
 
簡介

表演藝術的創意領域正不斷擴展,隨著科技進步與人工智能的發展,跨領域的全新可能隨之開啟。這些推動力不僅突破了想像力的邊界,更重塑了我們創作、參與和理解表演的方式。在此背景下,藝術家、學者、專業人士、從業員與愛好者,以及圖書館專員、檔案專員、收藏家與策展人,在保存與呈現表演藝術豐富的樣貌及其興起歷史時,正面臨著複雜的挑戰。

 

典藏的「構作」——選材、策劃、展示與再現的策略——揭示了我們為傳承未來守護表演藝術的願景。本論文集探討了文獻紀錄與典藏的構作方式,如何回應表演生態的轉變以及社會格局的演變,在開闢通往新觀眾群的途徑之際,同時催生嶄新的視角與詮釋。

 

目錄

 

Foreword (English and Français)

Nic Leonhardt and Alan Jones

 

Keynote Lectures

Intercultural Perspectives on Documenting Performance

Toni Sant

 

The Challenges of the Theatre Museum Amidst and Beyond the Pandemic: Digital Archiving and Revitalization Practices of Japanese Theatre

Minako Okamuro

 

Words, Space and Enacting the Archive

Ashutosh Potdar

 

Arts as Documentation, Documentation as Criticism, Criticism as Arts: Life and Times of Documentation as Criticism

Danny Yung

 

Thematic Talks (Abstract only)

Programme Strategies and the Conservation of Cultural Heritage: A Case Study of the Tea House Theatre

Cheung Ping-kuen and Naomi Chung

 

The Strategies and Challenges of Establishing “Memory of the World: Chinese Traditional Music Sound Archives”

Shao Xiaojie

 

From Documenting Movement to Performance: A Case Study of Hong Kong Dance Company’s Convergence

Yang Yuntao

 

Documenting Theatre with Documentary Theatre: A Case Study of The Pedra Sidequel

Jenny Mok

 

Dynamizing the Archive through Documentation, Creation and Promotion: A Case Study of Centre 42 Singapore

Ma Yanling

 

Exploring History from a Future Perspective—archival reading and curatorial consciousness in “Dialectic”, a NTCH’s 35th anniversary series

Chow Ling-chih

 

Paper Presentations

Monday June 24th 2024

Documentation, Education and Heritage of the Performing Arts

Active Archiving at the National Theatre: Creating a Collection from Parallel Practice with Till the Stars Come Down (2024)
Erin Lee

 

Inside the Archives of a Theatre School: A Case Study of Documentation Practises and Specificities in the University of Ottawa’s Department of Theatre Archive
Alexandra Beraldin

 

Intercultural Spectacle and the Challenges of Archiving Asian Shakespeare Performances: A|S|I|A as a Case Study
Arbaayah Ali Termizi and Dong Qingchen

 

Unearthing Hidden Treasure: A Saga of Cataloguing
Jane Pritchard

 

Making the Traditional Asian Performing Arts Accessible to a Modern Audience: The Osaka Bunraku Workshop Experience
Seiko Shimura and Robin Ruizendaal

 

Panel Discussion (1) & Dance, Dance Making and the Dance Archives (Part 1)

Unlocking the Potential of Special Collections in Performing Arts Education: A Case Study at the Royal Welsh College of Music and Drama
Judith Dray and Mandie Garrigan

 

Building Archives within Dance Arts Organisations: Frameworks and Challenges
Andi Johnson

 

Squaring the Circle: Dance, Dance Archives and Dance Archiving in Luxembourg
Daniela Lieb

 

History, Theatre Making and the Performance's Archives

The Theatre Collection in the Netherlands and the Representation of Asian People in Their Circus Collection
Hans van Keulen

 

(Multiple) Archives and the Reinterpretation of Theater Historiography: The Case of Peking Opera in Brazil
Esther Marinho Santana

 

Sound and Vision: Unwrapping the David Bowie Archive
Harriet Reed

 

Le Théâtre du Soleil, une tentative atypique de collecte et de pérennisation: Une anarchive en circulation
Aliénor Fernandez

 

Audience, Participation and the Dramaturgical Approaches of Collecting

Sharing is Caring: Our 1st Performing Arts’ Conservation and Dissemination Symposium
Laura Ars

 

Dramaturgies of Collecting and Curating Embodied Practices
Jayne Batzofin

 

Tuesday June 25th 2024

Representation of Performing Arts in an Exhibition Context

In the Limelight: The Conservation of Costumes for the V&A Theatre & Performance Galleries
Susana Fajardo

 

Heterarchy of Times: Archive Exhibition of On & On Theatre Workshop, Hong Kong
Vee Leong

 

The Museum of Puppetry Arts in Lyon: From Living Creation to Living Heritage
Paul Ripoche

 

An Invitation to Play: Embodied Interpretation in the Museum
Elizabeth Gray

 

3D Digitization of Stage Costumes at the National Library of France
Rime Touil

 

Performing and Interpreting the Archive

Reenactment in the Program of Kyoto International Performing Arts Festival – Curing Late Capitalist Society
Naoko Kogo

 

The Archival Needs of the Artists: Performing Arts and Curatorial Strategies in the 21st Century
Anna Lawaetz

 

Reconstructing Historical Literature, Building New Theories, and Creating New Directions for Arts Education: Taking the History of Hong Kong Wind Band as a Case Study
Lin Ka-chun

 

Breathe In, Breathe Out.: A Soundscape for Well-being
Eva del Rey

 

Wednesday June 26th 2024

Dance, Dance Making and the Dance Archives (Part 2)

Translating Light: A Reflection on My Creative Dance Practice Informed by Embodied Archives
Ivy Yik-chit Tsui

 

Dramaturgical Possibilities of Digital Archiving

From Villages to Virtual Spaces: Preserving Intangible Cultural Heritage in the Digital Age
Vikrant Kishore

 

How to Archive a Theatre Instant: The Arxiu Lliure of the Teatre Lliure
Anabel de la Paz Gonzalez

 

Performing Arts: The New Digital Shift in the MUSIC4D Project
Raffaele Longo and Michelangelo Galeati

 

Conservation and Research on Stage Costume: Practices and Transformations through a Technical Approach
Elsa Bataille-Testu

 

Annexes

Conference Programme

List of Contributors

Photo Album

 

版權頁

Foreword(只有英文及法文)